ECHO CHAMBER Episode 7 – Daniel Williams

 

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My guest this time is composer and sound-designer Daniel Williams. As a composer, he works mostly in the theatre, writing, playing and mixing live soundtracks with a variety of companies including DEREVO, Freaks und Fremde, Theatre Subversion, Das Gegenteil (Valentin Tszin), JuWie Dance Company, as well as with a variety of other dancers.

In addition his music has appeared in an installation at Tonlagen (Hellerau, Dresden 2010), in concerts at CYNETART (Dresden 2015), DAVE (Dresden 2014 and 2015), Tapei Soul (Taiwan 2016), and many other venues and events in Dresden and Berlin. His soundtrack for DEREVO’s ’Mephisto Walz’ won a special technicians prize (Broadway Baby) at the Edinburgh Festival in 2012. As a translator he made the English version of two catalogues for the OSTRALE Contemporary Art Exhibition in 2016 and 2017.

His music, as ghostradio, has been released by phonocake.org and Lockertmatik Records.

The music featured in this episode is taken from various soundtracks composed by Daniel for theatre works:

  1. Mephisto Waltz
  2. Craving (Lockertmatik Edit)
  3. ‘The Return Of The Black Swan’ from Schizophrenie

I upload new episodes of Echo Chamber onto my blog every couple of weeks.You can also subscribe to Echo Chamber on iTunes and have the episodes downloaded automatically as soon as they come out.

If you’d like to support me in order to keep up a high standard of research and interviews, please do so and become a patron on patreon.com.

Get in touch in the About page on my website or through facebook.

Enjoy.

 

ECHO CHAMBER Episode 6 – Stepha Schweiger

 

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This time I was with singer/songwriter and experimental composer Stepha Schweiger from Berlin. One of her most recent works, called The Mark On The Wall, is a music theatre work based on a text by Virginia Woolf, and deals with a lot of the themes that we discuss, such as the overarching importance of memory in music and the arts, her place in the world as a female composer, and the important roles played by the people that influence us throughout our lives, especially those who have died.

In 1993 Stepha Schweiger created her first experimental music theatre commissioned by the Berlin Senate. Amongst other experiences, she completed a one year course at the Ircam in Paris and at the Institute of Sonology, Conservatory of the Hague. In 2017 her 100-minutes-long music theatre work “The Mark On The Wall”, based on the story of the same name by Virginia Woolf from 1917, was created in London and Berlin, followed by a performance in Ulm in April 2018. With her band “Girl On Catfish” studio recordings were done in 2018.

Like the previous episode, this interview was recorded in the corner of a large, empty gallery room, so there’s a lot of echo but it creates a somewhat fitting sonic environment.

The music you’ll hear throughout this episode comes from various releases of Stepha’s and shows the large variety of genres and sounds that this composer enjoys exploring:

1) Frango Phragmon ExtendedKlangereignis Pur (Stepha Schweiger komponiert visionmusique)

2) Dissolve Into – Dissolve Into

3) Ver-blich 5 – Klangereignis Pur (Stepha Schweiger komponiert visionmusique)

4) Wooden Leg – upcoming release. (Stepha Schweiger:  voc and piano, Hanno Leichtmann: electronics,  Katherine Mansfield: lyrics)

You can find out more about this genre-defying composer at stepha.net.

If you’ve enjoyed this discussion, you can find more on my website, where I’ll be regularly uploading new episodes. You can also download the episodes on iTunes by searching Echo Chamber.

If you’d like to support me in order to keep up a high standard of research and interviews, please do so and become a patron on patreon.com.

Finally, please don’t hesitate to get in touch in the About page on my website or through facebook.

Bye.

ECHO CHAMBER Episode 5 – Adam Goodwin

 

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My guest this time is double bassist, composer and visual artist Adam Goodwin, from Texas. I had a lot of fun chatting with him about the Berlin scene, where’s he’s based now, and Classical music training, hallucinations and really delving into what it is to make music.

Having completed music degrees in both classical and contemporary double bass performance, Goodwin moved to Berlin to delve fully into the world of experimental and improvised music. He is also active within the Turkish and Arab music scene there. Find out more here.

Like the previous episode, this interview was recorded in the corner of a large, empty gallery room, so there’s a lot of echo but it creates a somewhat fitting sonic environment. The music you’ll hear throughout this episode comes from various releases of Adam’s and you can listen to and buy them online here and here.

Please subscribe! You can subscribe to ECHO CHAMBER and have every episode downloaded automatically with iTunes.

Please support! You can support me keeping up a high standard of research and interviews by becoming a patron on patreon.com for $4/month.

Finally, please don’t hesitate to get in touch on my About page or through facebook.

ECHO CHAMBER Episode 4 – Audrey Chen

 

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My guest for this episode, the fourth, is improviser Audrey Chen, whose work with voice, cello and analog electronics has been described by David Harrington of the Kronos Quartet as “possessing something extremely vital and vivid….”. Recent projects include duos with artists such as Phil Minton, Maria Chavez, Jean-Yves Evrard, Richard Scott, Flandrew Fleisenberg, John Bock, as well as duos BEAM SPLITTER and AFTERBURNER.

Like the previous episode, this interview was recorded in the corner of a large, empty gallery room, so there’s a lot of echo but it creates an intimate, somewhat fitting sonic environment.

The music you’ll hear throughout this episode comes exclusively from Audrey’s most recent collaboration with Richard Scott, their album Hiss and Viscera which is out now on the Sound Anatomy label.

If you’d like to support me in order to keep up a high standard of research and interviews, please do so and become a patron on patreon.com.

Finally, if this discussion has resonated with you and you have particular questions – or if you’d be interested in taking part in one of the next interviews, please get in touch in my ABOUT page or through facebook.

www.audreychen.com

ECHO CHAMBER Episode 4 update

! ATTENTION ! My greatest apologies as I won’t be uploading the newest episode of ECHO CHAMBER this week. This is due to terrible bandwidth where I’m currently hiding out in the woods and means that I have to push the release of the next episode to next Wednesday – April 25. Sorry.

Episode 4 features the one and only Audrey Chen. Look  out for it next Wednesday.

In the meantime check out Audrey’s stuff here: audreychen.com

ECHO CHAMBER Episode 3 – Hannes Buder

 

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My guest for this third episode is improviser and composer Hannes Buder, whose work concentrates on issues of movement, authenticity, intuition, minimalism, density and slowness.

Buder’s current projects include the bands ‘Zug Zug’ with Todd Capp and Andrew Lafkas, ‘Gravity’ with Hannes Lingens and Andrew Lafkas, the duo with Luc Houtkamp, the dance company “one:third”, and his solo project. Having performed across Europe, Australia and in the USA, Buder has also composed, improvised and recorded music for different dance, theater and film projects, as well as given workshops at festivals, music schools and prisons.

This interview was recorded at the Lite-Haus gallery in Berlin, while I was working on my sound installation Echo Organ. We talked in the corner of the room, lit only by a low-level lamp, which created all at once an acoustically cavernous yet visually intimate environment.

The music featured throughout this episode can be streamed and downloaded here:

  1. Gravity, Gravity

Hannes Buder – cello, composition
Andrew Lafkas – doublebass
Hannes Lingens – drums

hannesbuder.bandcamp.com/album/gravity

2. Pain, openyoureyescloseyoureyes

hannesbuder.bandcamp.com/album/openyoureyescloseyoureyes

3. Requiem for Alexander Litvinenko, Changes II

hannesbuder.bandcamp.com/album/changes-ii-2

4. 4th movement, [ro]

Hannes Lingens – snare drum and objects
Hannes Buder – prepared guitar

hannesbuder.bandcamp.com/album/ro

All titles are equally available to buy on woodenshiprecords.webnode.com

ECHO CHAMBER Episode 2 – Benedict Taylor

 

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Here’s the second episode, this time with Benedict Taylor. Whilst chatting over coffee we talk academic training, crossovers between visual and sonic art, the birth of language, and the importance of chatting over coffee in making great music. Thanks Benedict!

We held the discussion on a bustling summer afternoon on the sidewalk outside Café Oto in London, so there’s a lot of extraneous noises and sounds of vehicles, roadworks and people chatting right next to us. Although this only came about due to bad planning on my part, I actually think the end result is pretty cool. I should apologize though for the wind buffeting every so often, it’s not the most comfortable sound but I couldn’t do anything much about that with all the plugins in the world.

Other than that, enjoy!

Tracklist:

  1. “Reliefs”, DARK VOICES (CRAM Record No. 4)
    Lawrence Upton & Benedict Taylor                           https://cramrecords.bandcamp.com/album/dark-voices
  2. “3 Caged Guerillas”, Caged Guerillas, Benedict Taylor https://subverten.bandcamp.com/album/caged-guerrillas
  3. “Hidden Bomba”, Hidden Bomba, Chris Cundy & Benedict Taylor https://linearobsessional.bandcamp.com/album/hidden-bomba
  4. “Sol”, Solstice, Benedict Taylor
  5. “Solstitium”, Solstice, Benedict Taylor           https://nachtstuckrecords.bandcamp.com/album/benedict-taylor-solstice

Benedict Taylor is a solo violist & composer. He is a leading figure within the area of contemporary string performance, at the forefront of the British & European new and improvised music scene. He performs, records & composes internationally, featuring in many leading venues and festivals including: Cafe Oto, Jazz en Nord France, Royal Court Theatre, The Vortex, Ronnie Scott’s, BBC Arts Online, BBC Radio 3 & 2, Huddersfield Contemporary Music Festival, London Contemporary Music Festival, Aldeburgh Festival, Cantiere D’Arte di Montepulciano, Edinburgh Fringe, CRAM Festival, The Barbican, Royal Albert Hall, Southbank Centre, ICA London, Radio Libertaire Paris, Resonance FM London. As an improviser, he has worked with Evan Parker, Terry Day, Keith Tippett, Wadada Leo Smith, Alex Ward, Renee Baker, Steve Beresford, Angharad Davies, Hannah Marshall, Phil Minton, Pat Thomas, Tetsu Saito, Gianni Mimmo, Veryan Weston, Sylvia Hallett, Dirk Serries amongst others. He is involved with a number of higher education institutions, giving lectures in performance, improvisation & composition at the Royal College of Music, City University of London, Goldsmiths College, Royal Holloway College London. He is the founder / director of CRAM, a music collective and independent label.