I spent several days last summer with composer, improviser and spinet-player Christoph Schiller at his somewhat legendary studio in Basel. Given the concentrated subject matter, and the sheer length, of the discussions, I’ve decided to make a three-part Echo Chamber special that deals overall with the question of freedom in musical composition:- composition as an emancipatory means to deeper reflexion and a more sincere gestural approach.
Composition in the sense we discuss it here becomes a tool that is more efficient in prying open interior dialogues within the musician than any score-less method; a tool whose sharpening is the result of a simultaneous rejection of Romantic ideals, various amalgamations with new technologies and improvised methods, and the embracing of the earliest written music practices.
I took great pleasure in choosing what music to accompany these conversations, what sounds of Christoph’s that I not only have a personal fondness for but that also best give some kind of musical parallel to the content of our discussions. For Freedom & Composition Part 1, Christoph’s joint album with violinist Anouck Genthon, Zeitweise leichter Schneefall (Newwaveofjazz, 2019) fits the bill perfectly.
Parts 2 & 3 will be out in the coming weeks.
Find about more about Christoph on his website.
PS Don’t adjust your sound system! There’s an intermittent buzz in the right-hand channel of these recordings, due to my faulty Zoom microphone. Sorry.
Ed Williams 